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The 9 O’clock position should be barely noticeable. It will just take out really loud sudden peaks, this is great for protecting your speakers and the like. The 12 O’clock position provides the right presence for using the compressor pedal continuously while performing. The 3 O’clock position is great for solos. It really adds some cool effects to your playing dynamics. Only when really cranked do you get the pluck sound of your pick emphasized. The compressor pedal has an Internal Attack control, designed for bass players with high-output active pickups or active pedal boards with buffers. The compressor pedal also has an Input Sensitivity Control, meaning you can use this in your studio to run keyboards, drum machines,drum mics, even master recordings and other line-level uses. You’ll raise your signal to a new level of sonic awesomeness.
Dynamics
This is a compressor based on the C4 compressor from Keeley that is an evolution of the classic dynamic compressor. This adds extra controls to dial in the compressor and the original was a mainstay on professional boards for many years.
The DC jack is the standard type fitting just about every power supply out there.
EffectsDemon-FX
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